Butterick 5891 Katherine Tilton Top and Jacket

Just a warning--this post has quite a few pictures.

Butterick Patterns recently released a couple of patterns designed by Katherine Tilton, sister of Marcy Tilton.  (I'm still a bit curious about why she moved from Vogue to Butterick--anyone have any ideas?)  One pattern that really hit my "need to make it now" button was B5891, a very interesting pattern for a top/vest and a jacket.  I purchased it right away (well, as soon as the Butterick website put them on sale).

I decided to try the vest first.  The pattern actually describes this views A/B as a "top," but I call it a vest because I would only wear it over another garment with sleeves.  My upper arms do not make public appearances any more.

 I chose an odd fabric I had sitting on the shelves that I got from Vogue Fabrics about three years ago.  It was labeled as a poly/rayon blend striped jacquard.  I thought it was kind of weird and wasn't sure what to do with it, so it sat around for awhile.  I figured it would be good to use for testing this pattern, since I wouldn't mind if it became a wadder.

This is a very interesting pattern.  It is rather cumbersome to cut out because there are 15 pattern pieces and they are almost all cut with the fabric single layer.  I think it is essential to keep the pattern pieces attached to the cut fabric until the last possible moment and to transfer all the markings to the fabric.  It is very easy to get the pieces mixed up or get them turned around.  It would be a nightmare if your fabric looked the same on both front and back.  Luckily, my fabric had some sort of interfacing pre-fused to it, so it was quite clear which was the wrong side.  This did become an issue at one point, however, because the inside of the double collar shows the wrong side of the inner collar when you wear the neck unbuttoned.  As a result, I chose to self-line the inner collar so it would look nicer when open.

Here's a view with the collar buttoned up

And the back.  I tried to play with the texture of the fabric in the peplum pieces.

The front peplum pieces have tucks sewn in, which adds an interesting contrast to the otherwise fairly straight structure of the garment.

Overall, I'm basically happy with the resulting vest.  My fabric is probably a little to stiff for this pattern, so it may not be the most flattering look on me.  The vest is narrow through the shoulders, but increases greatly in width at the hipline--my stiffer fabric kind of accentuates that.  Also, if I ever make it again, I will cut the armscyes a little lower.  They are cut high under the armpit, which is a good feature if you are going to wear it alone as a top (no bra flashing when you raise your arms), but makes it a little tight with a shirt on underneath.  

While this is not a difficult garment to stitch together, I must say that the pattern directions were a little vague in some areas and also could have included a little more info on finishing details for a better resulting garment.  A beginning level sewist might have some difficulties figuring out what the instructions mean for you to do in certain places, but a little playing with the pieces reveals how it all comes together.

Shortly after finishing the vest, I just had to make the jacket as well.  For this I chose a raw silk tweed in natural, black and white.  I previously had washed the fabric, so it was a little more drapey than perhaps this view needs.  The collar is a really neat feature and I'm not sure it comes across as nice as it could with another fabric with more body to it.  However, I must say, I LOVE this jacket.  The collar is really fun to play with, and can be draped in different ways.  There is a small button hidden inside the left right collar that will hold the right left side of the collar inside, like here:

Or, you can leave that unbuttoned for a completely different look:

As I was rather convinced that this wasn't going to turn out well, I didn't bother to change the serger thread to a color that would blend into the fabric, so you can see the serging on the collar edges as it drapes.  When I decided I really like this jacket, I was kind of pissed at myself for being lazy.  But, actually, the more I look at it, the more I kind of like the contrast of the black serging.  The nature of the tweed is such that it hides some of the design features, such as the front shoulder princess seams, so the bit of contrast seems to add something to me.

Here's the back.  Rather simple, but it really hangs nicely.

It also has side seam pockets.

I am really very happy with this jacket.  It's a fun look, adaptable to lots of different fabrics for different looks.  Furthermore, this is much simpler and definitely quicker to put together than the top/vest view of the pattern.  I see at least one (maybe two) more of these in my future!

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Vogue 8499 Skirt Version 2

Although it has taken me forever to write up a post about it, I made a second version of the Vogue 8499 Marcy Tilton skirt in early January.  This time I used a  linen/cotton blend fabric in black with cream dots woven in to create a striped effect (acquired from EmmaOneSock).  I love this second version even more than the first!  (The top is another StyleArc Debra Zebra--it fits better on me than it looks on the dressform)

The dots/stripes were woven across the grain of the fabric, so I cut the main pieces of the skirt on the cross grain for vertical stripes and then cut the pockets with the grain for a little contrast and interest.

For the pocket closures, I used plain black zippers with silver metallic teeth that I found at the local JoAnn's and added some simple silver zipper pulls that I had in stash.  I again made a shallower sub-pocket inside one of the larger outer pockets to be more accessible for my work keys and such, but again forgot to take a photo of that part.

This skirt is so fun--both to sew and to wear.  Although it has a pretty distinctive look to it, I think there might be room for at least one more in my closet if the right fabric comes along or pops off the shelves of the fabric collection.

While searching out the photos of this skirt, I also came across photos of one of my last projects in 2012.  I finally got around to making up the E-Shrug, a downloaded pattern from The SewingWorkshop.  I made the lengthened version with long sleeves for a nice sweatery waterfall cardigan.  The fabric is another colorway of the poly/cotton sweater knit from FabricMart that I used to make Vogue 8854 last fall.

I did get some time in the sewing room this last weekend--hopefully I can get some photos taken in the next day or so to post.